Hi,
pcreso AT pcreso.com
wrote:
> However, CC is pushing the same licences for
data, without indicating
> the difference between legislated moral rights
for data & for creative
> works. I do not regard this as a responsible
approach, especially with
> CC4 being openly touted as being more appropriate
for data, and the CC4
> licence wording not addressing this issue to
date.
I agree that moral rights are treated differently in
various
jurisdictions, including different treatment with how
the law deals with
data and software. However, I do not think that it's
CC's responsibility
to inform of this fact to its users, or to confuse
authors with lengthy
explanations of how the law deals with data
specifically in NZ,
Australia, the UK, or civil law systems.
The licence has to do only one thing with regards to
moral rights. To
the extent that it is allowed by law (and in many
jurisdiction it is
clearly NOT possible), the owner promises to waive
and/or not assert
their moral rights. That is done by the current draft
in the best way
possible. The wording could be slightly clearer to
that extent, but it
does what it says on the tin.
I am still unsure as to why you think that this should
be treated
differently even after reading your email twice. The
objective is to
make the licence as clear as possible, and any
explanation about
different ways in which jurisdiction deals with moral
rights does not
help to reach that objective.
Best Regards,
Andres
On 13/04/2012 22:17,
pcreso AT pcreso.com
wrote:
> Hi Andres,
>
> Some detail (hopefully not too much)...
>
> Moral rights under CC apply well (generally) for
creative works. I don't
> have any issues in that regard.
>
> However, CC is pushing the same licences for
data, without indicating
> the difference between legislated moral rights
for data & for creative
> works. I do not regard this as a responsible
approach, especially with
> CC4 being openly touted as being more appropriate
for data, and the CC4
> licence wording not addressing this issue to
date.
>
> As an aside: a data mashup can be based on some
underlying data without
> presenting any of that data in the final product.
This is also a
> situation very different from creative works.
Data was used but is no
> longer there as explicit content. How does CC
apply? Attribution is
> relatively straightforward, but what about
inappropriate or misleading use?
>
> In New Zealand the law is explained in this guide
from the Copyright
> Council:
>
http://www.copyright.org.nz/html/blob.php/Moral+rights.May2007.pdf?attach=true&document=339&filetypecode=1&fileId=105
> <
http://www.copyright.org.nz/html/blob.php/Moral+rights.May2007.pdf?attach=true&document=339&filetypecode=1&fileId=105>
>
> The relevant section:
> "Who has moral rights? Moral rights belong to
authors of:
> - literary works, including novels, screen plays,
poems and song lyrics;
> - dramatic works, including dance, mime and film
scenarios or scripts;
> - musical works;
> - artistic works, including paintings, drawings,
diagrams, maps, engravings,
> etchings, photographs, sculptures and
architectural works.
>
> Moral rights are also enjoyed by directors of
films made on or after 1
> January 1995
> (even though copyright is usually owned by film
producers).
>
> Creators of sound recordings and computer-related
works have no moral
> rights under
> the Copyright Act."
>
> Data is regarded as computer-related works, and
those who release
> datasets under CC enjoy no moral rights to
protect against misuse or
> misrepresentation of them or their data. Very
different for those
> releasing creative works. Where does CC warn of
this possibility when
> suggesting their licence be used for data?
>
> In Australia, moral rights afford the usual
protection, from
>
http://www.copyright.org.au/admin/cms-acc1/_images/20373146284f39afed9ca39.pdf:
>
> "Creators have the right:
> - to be attributed (or credited) for their work;
> - not to have their work falsely attributed; and
> - not to have their work treated in a derogatory
way.
> ...
> This could include:
> - distorting, mutilating or materially altering
the work in a way that
> prejudices the creatorʼs honour or reputation;
and
> - in the case of artistic works, destroying the
work or exhibiting it in
> public in a way that
> prejudices the creatorʼs honour or reputation.
> ...
> Moral rights apply to:
> - literary material such as novels, screenplays,
poems, song lyrics and
> journal articles;
> - artistic works such as paintings, drawings,
architecture, sculpture,
> craft work, photographs, maps and plans;
> - musical works;
> - dramatic works such as ballets, plays,
screenplays and mime;
> - computer programs; and
> - cinematograph films such as feature films,
documentaries, music
> videos, television programs and television
commercials."
>
> But NOT data. Also, in Australia, moral rights
are considered "personal"
> and "individual" rights, and cannot be vested in
institutions. Most data
> is released by institutions, not individuals.
Again, where does CC
> responsibly explain this to potential users?
>
> The UK Open Government Licence is often described
as a CC compliant
> licence. Largely it is, but it includes some
additions that cover these
> issues pertaining to data. They were deemed
necessary, otherwise an
> actual CC licence could probably have been used.
They affirm the moral
> rights of the data licensor, and place
responsibilities upon the user.
> From:
http://www.nationalarchives.gov.uk/doc/open-government-licence/
>
> Data users must:
>
> # "...ensure that you do not use the Information
in a way that suggests
> any official status or that the Information
Provider endorses you or
> your use of the Information;
> # ensure that you do not mislead others or
misrepresent the Information or
> its source;
> # ensure that your use of the Information does
not breach the Data
> Protection Act 1998 or the Privacy and Electronic
Communications (EC
> Directive) Regulations 2003."
>
> The second requirement in particular effectively
applies a moral rights
> clause to data released under this licence, which
is missing in
> legislation. By suggesting users of CC licences
that whatever they
> release under CC is afforded local moral rights
protection I believe CC
> is misleading them. Until this is addressed, CC
licences are not as
> applicable or suitable for data as they are for
creative works.
>
> There is a difference in law between creative
works & data, and licences
> for data should be clear about this.
>
> Cheers,
>
> Brent Wood
>
>
> --- On *Sat, 4/14/12, Andres Guadamuz /<
anduril13 AT gmail.com>/*
wrote:
>
>
> From: Andres Guadamuz <
anduril13 AT gmail.com>
> Subject: Re: [cc-licenses] Moral rights,
Attribution & Choice of Law
> To:
cc-licenses AT lists.ibiblio.org
> Date: Saturday, April 14, 2012, 12:17 PM
>
> You have mentioned this before. Can you
elaborate? Moral rights are
> handled quite well in my opinion, the current
wording covers all of
> the national practices, this has been the
subject of constant
> discussion since the early licences, and the
existing practice seems
> to fit well in various jurisdictions.
>
> On 13/04/2012 02:24 p.m.,
pcreso AT pcreso.com
> </mc/compose?to=
pcreso AT pcreso.com>
wrote:
>> Moral rights are described in a very
misleading fashion, and the
>> issues regarding these as providing
protection for data released
>> under CC licences need to be far clearer.
Frequently there are none.
>>
>> In the US, Moral Rights only pertain to
visual media. In Australia
>> moral rights can only be assigned to
individuals, not
>> organisations, in New Zealand computer
related works are exempt.
>> CC makes little or no attempt to explain
the distinction, &
>> limitations of CC licences for data.
>>
>> Those who wish to release data under CC
licences, something CC is
>> trying to encourage, need to be aware
that many countries have
>> different laws covering data &
creative works, and that CC
>> licences relying on local Moral Rights
legislation provide very
>> different protections.
>>
>> --- On *Thu, 4/12/12, Kent Mewhort /<
kmewhort AT cippic.ca>
>> </mc/compose?to=
kmewhort AT cippic.ca>/*
wrote:
>>
>>
>> From: Kent Mewhort <
kmewhort AT cippic.ca>
>> </mc/compose?to=
kmewhort AT cippic.ca>
>> Subject: [cc-licenses] Moral rights,
Attribution & Choice of Law
>> To: "Development of Creative Commons
licenses"
>> <
cc-licenses AT lists.ibiblio.org>
>> </mc/compose?to=
cc-licenses AT lists.ibiblio.org>
>> Date: Thursday, April 12, 2012, 9:08
AM
>>
>> IMO, the overall direction of this
license looks to be shaping up
>> nicely. A few comments:
>>
>> Moral rights
>> -------------
>>
>> 1. Substantive comment:
>> It's not clear to me that this
provision moves us anywhere
>> different
>> from the status quo. It seems to only
turn the question of whether
>> moral rights have been violated into
a question of whether an
>> act is a
>> "reasonable exercise" of the rights
under the license. Isn't this
>> essentially the role of moral rights
in the first place? Moral
>> rights
>> set the threshold on whether a
particular exercise of a copyright
>> license or assignment is reasonable
in light of the author's
>> personal
>> interests.
>>
>> I would suggest leaving moral rights
altogether intact.
>> Attribution and
>> non-association form part of the CC
license terms themselves,
>> so are
>> unlikely to be otherwise violated.
For other moral rights such as
>> integrity and derogatory action, this
is generally a
>> reasonable high bar
>> and I can't image would pose any
significant sharing hurdles
>> (unless the
>> bar is much lower in some other
jurisdictions). Alternatively,
>> if we do
>> insist on waiving moral rights, I
suggest simply waiving them
>> entirely
>> to avoid any disputes about what
constitutes a "reasonable
>> exercise".
>>
>> 2. Formal comment:
>> This wording took a couple of
doubling-backs to understand
>> what it's
>> actually saying. To improve clarity,
I suggest striking out
>> the two
>> embedded "however..." clauses and
instead leading off with
>> "Only to the
>> minimum extend possible and necessary
to allow You to reasonably
>> exercise...".
>>
>> Attribution
>> ------------
>>
>> 3. The scope of "any reasonable
manner" seems a bit too broad,
>> especially given the importance and
multi-faceted purpose of
>> attribution. I liked the old "at
least as prominent as" provision,
>> though I can see how this can cause
problems in some contexts. How
>> about "any reasonably prominent
manner", or even "a reasonable
>> manner
>> consistent with, to the extent
feasible, any customary
>> attribution for
>> the medium or means You are using".
>>
>> New definition of to "Share"
>> -----------------------------
>>
>> 4. If we end up with no ports, this
definition may not be
>> sufficient to
>> equally cover the intended activities
in all jurisdictions.
>> For example,
>> in Canada, we have no "making
available" right as of yet and
>> the right
>> to "communicate to the public" by
telecommunication arguably
>> doesn't
>> cover one-to-one downloads through
services such as iTunes (an
>> issue
>> which is presently before our Supreme
Court). It might be
>> advisable to
>> insert an "or distribute" in there.
>>
>>
>> Choice of Law
>> --------------
>>
>> 5. There hasn't been much discussion
on this, but I think deserves
>> careful consideration in light of the
move towards
>> internationalization. Given the
different laws on fair dealing,
>> copyright terms, and other aspects of
copyright law, it
>> creates a lot of
>> uncertainty to simply leave choice of
law to local conflict of law
>> rules. I think something analogous to
the U.K. government
>> license could
>> work well to tighten up certainty:
"This licence is governed
>> by the laws
>> of the jurisdiction in which the
Information Provider has its
>> principal
>> place of business, unless otherwise
specified by the
>> Information Provider. "
>>
>> Alright, that's all for now :)!
>>
>> Kent
>>
_______________________________________________
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>>
>>
>>
>>
_______________________________________________
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development
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>
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