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cc-licenses - Re: [cc-licenses] Case study: Magnatune

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Subject: Development of Creative Commons licenses

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  • From: drew Roberts <zotz AT 100jamz.com>
  • To: Discussion on the Creative Commons license drafts <cc-licenses AT lists.ibiblio.org>
  • Subject: Re: [cc-licenses] Case study: Magnatune
  • Date: Wed, 23 Nov 2005 17:22:07 -0500

On Wednesday 23 November 2005 08:11 am, wiki_tomos wrote:
> drew Roberts wrote:
> >I make a work which is copyrighted.
> >
> >I give it to person A with a CC BY-SA license.
> >
> >I give it to person B with a standard copyright notice.
> >
> >That is the extent of my distribution of this particular work.
> >
> >Before getting to use it, person A loses their only copy.
> >
> >Two brances here:
> >
> >In the first, person A then dies. In the second, they live.
> >
> >One: Person A is dead. Person B learns of the license I gave person A. Can
> >person B claim to have the BY-SA license?
> >
> >Two: Person A lives. Can they get a copy from person B? Does the license I
> >gave apply to the copy. If so, is B breaking the law by copying a work
> > they have no right to copy, while A is not breaking the law as they have
> > a license from me?
> >
> >This is almost too off the wall to contemplate.
> >
> >Can some help with an explanation that will set me straight?
>
> Hi. I hope I could be of some help, but please keep in mind that I am not a
> lawyer.
>
> My understanding is that in both cases, person B may be free to use
> the Work according to the CC license shown to person A. That is because
> CCPL is not a license to a specific person, but to the general public. By
> attaching a CC licence to your work, you have possibly expressed you intent
> that Any member of the general public can use the licensed Work if he
> follows the license terms. Arguably.
>
> Other arguments are possible - and may be more plausible in some contexts.
>
> I realize that CCPL does not say it as clearly as GFDL.
>
> GFDL says: "Any member of the public is a licensee, and is addressed as
> "you"." (http://www.gnu.org/copyleft/fdl.html 1st para. of 1. Applicability
> and definitions)
>
> This statement seems to create more reason to think that the licensor
> does not mind person B or any other person can use the work under GFDL.

The question is not if any member can get a license, in this case B, of
course
B can, just get the copy from A. IE. Go throught the channels that the author
sets up. The question is can they not go through the proper channels and
still claim to be using the license?
>
> What if the person A's Work is lost or burnt to ahses? I don't
> think it matters at all. The other surviving copy can be used
> according to the license. Once done, the license cannot be taken back
> - it is a "perpetual" grant.

If it is a "perpetual" grant and this means what you think, wouldn't that
mean
7.b . could not be true in some cases. For instance where both copies were
destroyed (A & B) and the only way for either to get another would be to
force the author to give it to them?
>
> 7.b. "Subject to the above terms and conditions, the license
> granted here is perpetual (for the duration of the applicable
> copyright in the Work). Notwithstanding the above, Licensor
> reserves the right to release the Work under different license
> terms or to stop distributing the Work at any time; provided,
> however that any such election will not serve to withdraw this
> License (or any other license that has been, or is required to be,
> granted under the terms of this License), and this License will
> continue in full force and effect unless terminated as stated above."
> (http://creativecommons.org/licenses/by-sa/2.5/legalcode ).
>
>
> As Daniel pointed out (and I actually pointed out earlier in the
> discussion), this raises a pragmatic question. For that, I can offer
> two explanations.
>
> First, it is almost always possible to distinguish a use based on
> a CC license from uses that are not. Look for license notice and other
> signs that is unique to CC license restrictions. If those requirements
> are met, it is a strong sign that it is based on a CC license. In drew's
> hypothetical case, it is pretty easy to tell if person B copied from
> his own work without permission, or followed the CC license.

I don't follow this line of reasoning at all.
>
> Second, there are court cases dealing with disputes of the similar nature.
> When I make a poem and someone says "that's too similar to mine!" and sue
> me, what do I do? How does the court determine if I infringed on the other
> person's copyright? If the work is well known and accessible, or if I
> actually accessed the other person's poem, then the court is very likely to
> determine that I used the other person's poem. And if the used parts
> include some creative expression, as opposed to mere ideas, the court would
> find it an infringement. That's how I understand it.
>
> Combined, it is not as difficult as one might think to distinguish
> CC license-compliant uses and unauthorized uses. And when it is difficult,
> the court applies specific tests to determine the fact and make judgements.
>
>
> I also thought about this : what if you and person B specifically agreed
> that person B does not use the Work except as permitted by the fair use?
> Can person B still qualify as a licensee for the CC license you attached to
> the work? I don't know.

That is an interesting thought.
>
>
> Best,
>
> Tomos
all the best,

drew
--
http://www.archive.org/search.php?query=creator%3A%22drew%20Roberts%22




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