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Subject: Development of the Creative Commons Sampling license (or license option)

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  • From: mark / negativland <markhosler AT charter.net>
  • To: David meme <david AT locarecords.com>, cc-sampling AT lists.ibiblio.org
  • Cc: 0111010001111001 <0111010001111001 AT squarewavedigital.com>
  • Subject: [cc-sampling] other licenses.
  • Date: Fri, 6 Jun 2003 12:02:34 -0700

Title: other licenses.
I just got back from Barcelona doing a presentation on Negativland's work. The folks from 010101001001 brought it to my attention that there are alls sorts of progressive usage lisnces out there , the confusion being there are so many- for software, audio, visual, etc.....and they  felt that the variuos groups who came up with them were all in thier own worlds and  never talked to each other much and that this seemd like a bit of a mess to him. According to them, they tended to be very specific to each medium and not so universally applicable across mediums.

I assume part of the long term hope with creative commons licenses is that they become a standard used by anyone interested in this stuff, right? Or in CC's view, it it- teh mroe the merrier? How much are we trying to write this current license so it applies to collage and re-use in any medium, including software and films?


mark




At 1:29 PM +0100 6/6/03, David meme wrote:
Hi

I came across your list related to sampling and so forth and thought you might be interested in discovering that the label we run, LOCA RECORDS, releases records under the EFF.org Open Audio license. So we explicitly allow and in fact recommend the sampling of our works.

To our suprise we haven't received much interest in this idea at all and so I thought it might be interesting to see whether other people are involved in similar projects so that we could link up and share knowledge.

The website is http://www.locarecords.com

We are trying to maximise our releases onto vinyl (the last a 12" by ML was released with the text of the Open Audio license incorporated into the artwork design) besides there is something cool about an anti-copyright release on vinyl...

One question was whether people had discovered a 'better' licensing model, some people have recommended the CreativeCommons one, in fact I met Lawrence Lessig at a conference in Oxford, UK a few months ago and he said we should check this out. We drew up our own license the LOCA PUBLIC LICENSE at http://www.locarecords.com/LPL.html but wondered whether it wasn't better to use a standard generic license... Any advice comments etc would be gratefully received.

Cheers

David


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mark / negativland <markhosler AT charter.net>


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