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cc-europe - Re: [CC-Europe] Action wanted: DOs and DON'Ts for our talks with GESAC

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  • From: Gisle Hannemyr <gisle AT ifi.uio.no>
  • To: cc-europe AT lists.ibiblio.org
  • Subject: Re: [CC-Europe] Action wanted: DOs and DON'Ts for our talks with GESAC
  • Date: Wed, 18 Jun 2014 13:16:19 +0200

On 2014-06-17 18:57, John Weitzmann wrote:
> Hi all,
>
> it looks like in the first half of July we (CC HQ + Board + Europe RCs)
> will have a meeting with the international association of collecting
> societies, called GESAC, on implications and practical implementation of
> the recent EU Directive on collective management of copyright, for
> details see
> http://ec.europa.eu/internal_market/copyright/management/index_en.htm

Looking good. In particular, I like the following provision:

Art. 5(3):
"Rightholders shall have the right to grant licences for non-commercial
uses of any rights, categories of rights or types of works and other
subject-matter that they may choose."

If I understand this correctly, this means that CSs can no longer
forbid their members to grant a non-commercial CC license.


However, I spotted the following in the preamble (12):

"This Directive [...] does not
interfere with arrangements concerning the management of rights in
the Member States such as individual management, the extended effect
of an agreement between a representative collective management
organisation and a user, i.e. extended collective licensing,
mandatory collective management, legal presumptions of representation
and transfer of rights to collective management organisations."

To me, it looks as if they're saying that the directive *also* does
not interfere with the effects of "extended collective licensing",
etc.

So what happens when there is both a "extended collective license"
and a "non-commercial CC license" for use of the same work?


In Norway, we currently have a situation where the producer's and
performing artist's CS (GRAMO) collects for *all* public
performances of recorded music under an "extended collective
licensing" arrangement. Even if the entire repertoire performed
is available under a non-commercial CC license, GRAMO demands
a levy if the music is performed publicly.

In other words, even if the rightholders have the right to grant
a licence that covers all uses of the work, and does so for
non-commercial uses, from the user point of view, the CC NC
license is "worthless", as the material can not be performed
*unless* a levy its used is paid to GRAMO under the "extended
collective license" arrangement.

To me, it looks as if the provision in the preamble that the
Directive "does not interfere" with the "extended effect" of
"extended collective licensing" makes Art. 5(3) more or less
worthless in jurisdictions with far-reaching extended collective
licensing.

I hope that I am wrong about this, and that there i something
about the Directive I've misunderstood. But unless somebody
can dismiss this as a misunderstanding on my part, I would
appreciate it if you could use this dialogue to clarify what
using a non-commercial CC license entails in a jurisdiction
such as Norway, where far-reaching extended collective licensing
is a reality.

--
- gisle hannemyr [ gisle{at}hannemyr.no - http://folk.uio.no/gisle/ ]
========================================================================
"Don't follow leaders // Watch the parkin' meters" - Bob Dylan




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