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Re: [Cc-uk] Adopting CC licenses in print media - how does it affect existing licenses?
- From: David M.Berry <d.berry AT sussex.ac.uk>
- To: 'cc-uk AT lists.ibiblio.org' <cc-uk AT lists.ibiblio.org>, Chris Adams <chrisdaggimoh AT mac.com>
- Cc:
- Subject: Re: [Cc-uk] Adopting CC licenses in print media - how does it affect existing licenses?
- Date: Thu, 21 Oct 2004 13:12:52 +0100
Hi
I thought you might want to take a look at our website. http://www.locarecords.com
We are record label running (sometimes) viably but always on a copyleft license. We have the same problems every small label has in terms of publicity but we find the copyleft license under CC is inspirational for all involved - both label, artists and fans.
BTW we are based in Brighton in the UK.
Cheers
David
On 21 Oct 2004, at 00:28, Chris Adams wrote:
Hi all,
Apologies for sounding naive/out of my depth here.
I'm the editor of The Smoke, the student magazine at the University of Westminster, and I'm very, very interested in the development of the creative commons project.
As part of the students union, much of our energy goes to campaigning on issues, and seeing as we have a very large creative school (music, film, new media etc.), I'm keen to feature the CC concept in an article, shift the magazine's own license to a more lax CC style license, and ultimately, talk the university into reviewing it's policy on students' creative property (right now, it's a bit hazy, but most lecturers and staff er towards "we own you, little undergrad - bwahahaha").
I'm a media student, and I'm not au fait with copyright law, despite reading lessig's books, we the media etc., and around other stuff around the subject.
As the editor of the magazine, I'm liable for any legal slipups - what pitfalls should I be aware of if I'm thinking of moving to a more lax copyright license for the mag?
Nearly all content is voluntary to the mag, so I don't feel right about indiscriminately locking away students' work in a big fat copyright license on the mag.
Also, how about adverts and such like? I've got this vision of copyright licenses like a kind of shrink wrapper for the whole mag, that locks everything inside it away behind the 'all rights reserved' tag.
If I'm way off the mark, let me know.
I'm keen to learn, and prove that the licenses are viable commercially (well... at least pseudo-commercially: union media is partially subsidised).
C
Chris Adams
Communications Officer
University of Westminster Students Union
m: 07974 368 229
t: 0207 911 5000 ext. 2333
supubs AT wmin.ac.uk
w: www.uwsu.com
Chris Adams
Communications Officer
University of Westminster Students Union
m: 07974 368 229
t: 0207 911 5000 ext. 2333
supubs AT wmin.ac.uk
w: www.uwsu.com
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-
[Cc-uk] Adopting CC licenses in print media - how does it affect existing licenses?,
Chris Adams, 10/20/2004
- Re: [Cc-uk] Adopting CC licenses in print media - how does it affect existing licenses?, Edward Barrow, 10/21/2004
- Re: [Cc-uk] Adopting CC licenses in print media - how does it affect existing licenses?, Edward Barrow, 10/21/2004
- Re: [Cc-uk] Adopting CC licenses in print media - how does it affect existing licenses?, David M . Berry, 10/21/2004
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