Creative Commons - Belgium

["wim schreurs" <wim.schreurs AT vub.ac.be>]

what is the cost percentage - the amount they deduct from the collections-
of Sabam?
how can they guarantuee a good repartition?
why is their no good control on the playlist that people give (mostly a
print-out of the studio brussels top 20)
why do they not allow non-exclusive agreements with their
authors-composers - like in the US?

Wim Schreurs

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Onderwerp: Cc-be Digest, Vol 6, Issue 3


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Today's Topics:

   1. Re: Auvibel tax and SABAM-affiliated artists (Ann Kermans)


----------------------------------------------------------------------

Message: 1
Date: Tue, 26 Apr 2005 10:11:02 +0200
From: "Ann Kermans" <ake AT kamer.cdenv.be>
Subject: [Cc-be] Re: Auvibel tax and SABAM-affiliated artists
To: <cc-be AT lists.ibiblio.org>
Message-ID: <00cc01c54a37$7d742eb0$5a15a8c0 AT kamer.cdenv.be>
Content-Type: text/plain; charset="iso-8859-1"

Hello Marcel,

not that I'm such a big supporter of SABAM.. But a band has to do something
to get the money. A metalband that I used to do some managing for filled in
the SABAM-papers nicely everytime they played.. It's simple, you only have
to fill in which songs were played and at the end of the year.. Ping! Money!
They got about 1200 euros yearly if I remember correctly..
A lot of bands think the money just automatically comes to them.. SABAM has
to know how many times the music is performed or played in order to get the
right amount of money to the artists..
About SABAM itself.. To my opinion things go wrong because of the
decentralisation of the organisation.. Local offices each have their own
ways of thinking and they mix up dossiers the whole time..

Greetz,
Ann Kermans
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