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[percy-l] CFP on Walker Percy for November 2017 SAMLA conference
- From: Karey Perkins <kareyperkins AT gmail.com>
- To: "Percy-L: Literary and Philosophical Discussion" <percy-l AT mailman1.ibiblio.org>
- Cc: Walker Listserv Percy <percy-l AT lists.ibiblio.org>
- Subject: [percy-l] CFP on Walker Percy for November 2017 SAMLA conference
- Date: Fri, 12 May 2017 13:08:53 -0400
Calling all Percy experts, critics, fans, lovers - The 2017 South Atlantic Modern Language Association is in Atlanta, GA, this year, November 3-5, with the theme of high art/low art. Below and attached is my Call for Papers on Walker Percy’s high/low art. One-page abstracts for 20-minute paper presentations are due June 1. We had a great presence at SAMLA in Jacksonville last year for Percy’s Centennial Anniversary! Let’s continue the dialogue! The High and the Low of Walker Percy's Art Chair: Dr. Karey Perkins USC - Beaufort
Percy's practice and thoughts on art - and the
human experience - range from high to low, from immanence to
transcendence. Was Percy's philosophy
an abstracted high art and his fiction, a low art, for conveying the same
message, but in the humble context of physical life? Percy's first novel, The Moviegoer, talked of the low art of movies (as they were
considered during his time) as escape, but also serving a higher purpose of
self-realization. He writes of the movie
magazine as the "low slick."
But the Moviegoer ends with the high art of the church, a conduit for
the divine. Percy wrote of the orbit
and re-entry of the artist, going from high to low. And he draws both the high
and the low of the human psyche, from angelism to bestialism, as extremes, both
lacking. Sometimes high art is used for low and quite practical purposes. In Love
in the Ruins, Thomas More uses the statue of Archangel Michael’s sword to
jimmy a lock. How does Percy use the
sacred and make it profane - or how does
the profane become sacred in Percy’s works? How is Percy transcending and
breaking boundaries between high and low art?
How do his interviews reveal his intentions and attitudes toward art,
his art in particular? Send 300-word or
one-page abstracts with your name, affiliation, and email to Dr. Karey Perkins,
USC-Beaufort, at kareyperkins AT gmail.com. Dr. Karey Perkins Karey L. Perkins, M.A.T., M.A., Ph.D. English Department USC-Beaufort, Bluffton, SC 29910 Research Member Peirce Institute for Studies in Pragmaticism Texas Tech University, Lubbock, TX 79409 |
Attachment:
The High and the Low of Walker Percy.docx
Description: application/vnd.openxmlformats-officedocument.wordprocessingml.document
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[percy-l] Query,
Barbara, 05/01/2017
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Re: [percy-l] Query,
Patrick Lynch, 05/01/2017
- Re: [percy-l] Query, RHONDA MCDONNELL, 05/02/2017
- <Possible follow-up(s)>
-
Re: [percy-l] Query,
Dr. John Creech, Jr., 05/01/2017
- Re: [percy-l] Query, RHONDA MCDONNELL, 05/02/2017
- [percy-l] CFP on Walker Percy for November 2017 SAMLA conference, Karey Perkins, 05/12/2017
-
Re: [percy-l] Query,
Patrick Lynch, 05/01/2017
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