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  • From: "janetcantor37 AT yahoo.com" <janetcantor37 AT yahoo.com>
  • To: "wppdirector AT gmail.com" <wppdirector AT gmail.com>, "Percy-L: Literary and Philosophical Discussion" <percy-l AT lists.ibiblio.org>
  • Subject: Re: [percy-l] New Orleans Before Katrina -- Walker Percy's "Moviegoer" and the Aesthetics of Adversity
  • Date: Wed, 26 Aug 2015 18:29:37 +0000 (UTC)

The Moviegoer is the only work of literature to my knowledge where the jacket copy begins on the cover with an assignment question reminiscent of the ones in high school English textbooks. “Why is the hero of this novel a moviegoer?”

This is a mischievous question on Percy's part because later in the book, there is a character whom Binx describes as also a moviegoer. Binx tells us that the guy never goes to the movies, though.
Janet Cantor


Dear Percy-L:

For those interested in a close reading of images from The Moviegoer and reflections on Katrina as its 10th anniversary approaches this week, the following short essay is available,
which includes a brief foray into Faulkner's writings on New Orleans.

Best regards,
Henry Mills
Percy-L Administrator



New Orleans Before Katrina -- Walker Percy's "Moviegoer" and the Aesthetics of Adversity

Town Topics - Princeton's Weekly
August 26, 2015 - Stuart Mitchner

Ten years ago this week, August 29, Katrina savaged New Orleans and the Gulf Coast. Just under two thousand people died, with damages estimated at over a hundred billion dollars. Spike Lee in When The Levees Broke, David Simon in HBO's Treme, and Dave Eggers in his book Zeitoun are among the artists who have done justice to the magnitude of the event and its troubled aftermath. You could say Walker Percy did justice to it before it happened.

The Moviegoer, Percy's first and best-known novel, was published in 1961, four and a half decades before Katrina. Since New Orleans is geographically susceptible to devastating acts of nature, the fact that Percy intuits the possibility of a Katrina  might seem a given, but what sets his book apart is its fortuitous all but prophetic awareness of something that did not take place until 15 years after his death. It's as if the book had been created in the shadow of imminent catastrophe by a philosopher/novelist exploring the aesthetics of adversity while posing questions such as why the same man who feels bad in a good environment is "apt to feel good in a very bad environment, say an old hotel on Key Largo during a hurricane." . . .

http://www.towntopics.com/wordpress/2015/08/26/new-orleans-before-katrina-walker-percys-moviegoer-and-the-aesthetics-of-adversity/

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