lowry.charles at gmail.com
Thu Feb 25 13:28:55 EST 2010
I am neither professional nor expert, but here are a couple thoughts.
The first writer that comes to mind for me as similar to Percy is Richard
Ford. It is interesting that the first two novels in his trilogy both show
remarkable indebetness to The Moviegoer. In the first, The Sportswriter,
the similarities are verbal and situational. In the second, Independence
Day, the similarity is thematic, that alienation is addressed through the
Regarding the O'Connor-Percy question, I am reading now a book by John D.
Sykes Jr.: Flannery O'Connor, Walker Percy, and the Aesthetic of
Revelation. He makes the point that Percy and O'Connor are both writing in
the post-Faulkner, post-Lost Great Cause era of Southern literature, and to
replace that ideal, they turn to a literature of community and religion, but
turn to it in different ways. O'Connor aims toward a build-up, toward a
"climactic image" intended to effect contemplation, not conversation. Percy
preferred the way of search and dialogue, internal and external, to engage
Thoughts from a very snowy Brooklyn.
On Thu, Feb 25, 2010 at 1:08 PM, Graham Culbertson
<gw.culbertson at gmail.com>wrote:
> Rizwana, I've found John Barth's first two novels (The Floating Opera and
> The End of the Road) to have a great many similarities to Percy's novels.
> An essay that links them negatively, which I haven't actually had a chance
> to read, is:
> Bradbury, John M. "Absurd Insurrection: The Barth-Percy Affair." South
> Atlantic Quarterly 68 (Summer 1969): 319-29
> Graham Culbertson
> An archive of all list discussion is available at
> Visit the Walker Percy Project at http://www.ibiblio.org/wpercy
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