[cc-licenses] Founders as a module? was Re: Getting to Version 3.0

Greg London email at greglondon.com
Mon May 22 01:29:57 EDT 2006


> drew Roberts wrote:
>>  On Friday 19 May 2006 04:03 pm, Rob Myers wrote:
>> > I do not, personally, think that Founders should be a module. It is
>> > a very elegant solution, but we just need one case of someone
>> > deciding they don't want their work to become BY after 5 years for
>> > this to be a PR (and ethical) disaster.
>
> Well, if it were a module, they would have to have selected it, so I don't
> see how that could be.  I can see that as an argument for not making
> this the default NC and ND behaviors -- but I knew I wasn't going to
> get that. ;-)

I think Rob's point was a scenario where Alice chooses
to use Founder's with an N year delay to public domain release,
and at N-1, Alice freaks and wants to keep her work under the
original, more restrictive, license. So, she willingly choose it
at the start, but before the release period was up, she changed
her mind and wants to revoke it.

I could be wrong.

I don't have much sympathy for Alice in this situation,
but I could see an uneducated media hyping it all out
of whack about how CC is "stealing" someone's work.



>> > Founders has already been used for FUD.
>
> I'm not familiar with that.  Do you have a reference?
>
> AFAICT, the Founder's license is pretty much unused.
>
>> > Possibly CC could work with a third party to do a time-release
>> > scheme, but I don't think CC should do it themselves, and I do not
>> > think time-release is a good idea. We need less uncertainty and
>> > conditions in copyright, not more.
>
> But actually, I find that's precisely why it's desireable.  The NC rift
> creates a burden on the community and on individual artists -- should
> they use it or not?  As it stands, they make a sacrifice either way.
>
>>  As with most things, there are tradeoffs. If someone were to use a
>>  time release with a short period to release date, I may consider
>>  thuse using NC or ND as still playing nice and give their works some
>>  attention and even some promotional efforts. As it is, I try to
>>  completely ignore such works. They have no value for me in reaching
>>  the goals I am shooting for. This has the effect of CC really being
>>  all of these seperage sand boxes that different people choose to play
>>  in which somehow doesn't jibe with my mental picture of a commons.
>>  Whatever.
>
> This succinctly describes the reason why I'd like to see an option like
> this promoted.  It provides a way for an artist to get the advantages
> they are most-likely looking for in the "NC" clause, but with the
> advantage
> that those of us who are interested in true free-licensed works wouldn't
> have to shun them.
>
> I might be willing to spend a little effort improving something that will
> definitely *become* free, even if I have to wait a bit to see that happen.
> CC-By-NC-SA is already "semi-free" -- I can do most things I would want
> with it.  But as things stand, what I *cannot* do with it is combine it
> with
> CC-By-SA work (nor can I distribute it like I would a CC-By-SA work). It's
> really very much like the "poisoned honey pot" problem -- a body of work
> which will kill my project if it's incorporated into it.  It's a hazard,
> and a
> drain of resources.
>
> If a time-release-based non-commercial clause became more popular,
> though, then the problem would go away -- "NC-3" work would be something
> I could collaborate with on the basis that in a few years, the work would
> fall from the "little commons" into the "big commons". The mere fact of
> that could make the work itself more popular.
>
> Meanwhile the artist has a proprietary period to make their money off
> of the work using NC-based business-models (e.g. like Magnatune).
>
> And ISTM that that is really needed: because on the one hand we have a
> license (CC-By-SA) which is ideal for community collaboration and
> distribution
> through free channels but which artists have great difficulty making any
> money from (you can't sell "service" on a song or a painting!), and on the
> other hand, we have a license (CC-By-NC-SA) which allows successful
> business models, but divides the commons, and blocks collaboration (which
> is, in the long run, the biggest win to be got from commons licensing).
>
> A time-release-based NC would give the artist "the best of both worlds",
> because they would be able to use their copyright monopoly to make money
> for a limited time, and yet still cooperate with the free-licensed art
> community.  But asking the artist (who's still just trying to get his head
> around the whole commons concept) to figure this out for himself and write
> an elaborate grant statement is too much.  CC needs to provide guideance
> to show that this really is a good plan.  And that's why I think it
> should be
> embodied in a module.
>
> As a module, this one would be unique in that it would not "split" the
> commons, but would rather allow parts of it that are already split to be
> "fused" back together.
>
> Cheers,
> Terry
>
> --
> Terry Hancock (hancock at AnansiSpaceworks.com)
> Anansi Spaceworks http://www.AnansiSpaceworks.com
>
>
> _______________________________________________
> cc-licenses mailing list
> cc-licenses at lists.ibiblio.org
> http://lists.ibiblio.org/mailman/listinfo/cc-licenses
>


-- 
Bounty Hunters: Metaphors for Fair IP laws
http://www.greglondon.com/bountyhunters/



More information about the cc-licenses mailing list