Skip to Content.
Sympa Menu

percy-l - [percy-l] CFP on Walker Percy for November 2017 SAMLA conference

percy-l AT lists.ibiblio.org

Subject: Percy-L: Literary, Religious, Scientific, and Philosophical Discussion on Walker Percy

List archive

Chronological Thread  
  • From: Karey Perkins <kareyperkins AT gmail.com>
  • To: "Percy-L: Literary and Philosophical Discussion" <percy-l AT mailman1.ibiblio.org>
  • Cc: Walker Listserv Percy <percy-l AT lists.ibiblio.org>
  • Subject: [percy-l] CFP on Walker Percy for November 2017 SAMLA conference
  • Date: Fri, 12 May 2017 13:08:53 -0400

Calling all Percy experts, critics, fans, lovers - 

The 2017 South Atlantic Modern Language Association is in Atlanta, GA, this year, November 3-5, with the theme of high art/low art.  Below and attached is my Call for Papers on Walker Percy’s high/low art.  One-page abstracts for 20-minute paper presentations are due June 1.  We had a great presence at SAMLA in Jacksonville last year for Percy’s Centennial Anniversary!  Let’s continue the dialogue! 


The High and the Low of Walker Percy's Art

Chair:  Dr. Karey Perkins

USC - Beaufort

kareyperkins AT gmail.com

 

Percy's practice and thoughts on art - and the human experience - range from high to low, from immanence to transcendence.   Was Percy's philosophy an abstracted high art and his fiction, a low art, for conveying the same message, but in the humble context of physical life?  Percy's first novel, The Moviegoer, talked of the low art of movies (as they were considered during his time) as escape, but also serving a higher purpose of self-realization.  He writes of the movie magazine as the "low slick."   But the Moviegoer ends with the high art of the church, a conduit for the divine.   Percy wrote of the orbit and re-entry of the artist, going from high to low. And he draws both the high and the low of the human psyche, from angelism to bestialism, as extremes, both lacking. Sometimes high art is used for low and quite practical purposes.  In Love in the Ruins, Thomas More uses the statue of Archangel Michael’s sword to jimmy a lock.  How does Percy use the sacred and make it profane - or  how does the profane become sacred in Percy’s works? How is Percy transcending and breaking boundaries between high and low art?  How do his interviews reveal his intentions and attitudes toward art, his art in particular?   Send 300-word or one-page abstracts with your name, affiliation, and email to Dr. Karey Perkins, USC-Beaufort, at kareyperkins AT gmail.com.

 

Dr. Karey Perkins

Karey L. Perkins, M.A.T., M.A., Ph.D.
English Department
       USC-Beaufort, Bluffton, SC  29910
Research Member
       Peirce Institute for Studies in Pragmaticism
       Texas Tech University, Lubbock, TX  79409

Attachment: The High and the Low of Walker Percy.docx
Description: application/vnd.openxmlformats-officedocument.wordprocessingml.document




Archive powered by MHonArc 2.6.24.

Top of Page