Percy-L: Literary, Religious, Scientific, and Philosophical Discussion of Walker Percy

[<Robert_Pauley AT oxy.com>]

Many have tried, mostly with The Moviegoer. We held film option rights
for The Last Gentleman for a few years. We did not encounter the
"entanglements" alluded to in recent post on aborted "Confederacy" film
project but instead general chariness among studios regarding a Percy
adaptation. We have a good script that balances cinematic needs and
loyalty to Percy's story and faith, and remain interested in the
project. Should anybody have any leads toward private financing ($1-5
million) of film of this great novel feel free to email me privately at
rrpjr AT netzero.net. Regards, R. Pauley, Providence Productions. 

-----Original Message-----
From: percy-l-bounces AT lists.ibiblio.org
[mailto:percy-l-bounces AT lists.ibiblio.org] On Behalf Of Steve L. Dye
Sent: Monday, November 01, 2004 6:34 AM
To: 'Percy-L: Literary and Philosophical Discussion'
Subject: RE: [percy-l] Production of _A Confederacy of Dunces_ falls
apart


On a related subject, I have had the fantasy that a couple of Percy's
books might be turned into films some day.....my picks would be "The
Second Coming" (Harrison Ford and maybe Anne Heche or Drew Barrymore)
and "Love in the Ruins" with Jack Nicholson playing himself in the lead
role as Tom More...:)  This fantasy, obviously, goes back a few years.
Both Harrison and Jack have now aged out of the roles...

-----Original Message-----
From: percy-l-bounces AT lists.ibiblio.org
[mailto:percy-l-bounces AT lists.ibiblio.org] On Behalf Of Wade Riddick
Sent: Thursday, October 28, 2004 7:38 PM
To: Walker Percy List
Subject: [percy-l] Production of _A Confederacy of Dunces_ falls apart

<http://www.nytimes.com/2004/10/27/movies/27gree.html>

In the Grip of the South, Where the Film Tales Are
By DAVE KEHR

Published: October 27, 2004

The director David Gordon Green went to New Orleans last year looking
for a
movie, which eluded him. But he found a home.

As luck would have it, Mr. Green's much-anticipated film version of John
Kennedy Toole's cult novel, "A Confederacy of Dunces," collapsed in a
mire
of legal, financial and personal entanglements that appear to have
doomed a
project written by Steven Soderbergh and Scott Kramer, for a cast that
was
to include Will Farrell, Drew Barrymore, Mos Def, Olympia Dukakis and
Lily
Tomlin.

"I think it's shelved until either somebody dies or everybody gets paid
off," said Mr. Green, a 29-year-old whose 2000 debut film, "George
Washington," was a dreamlike portrait of childhood in the South that
made
the tour of the world's film festivals and has since received the
ultimate
accolade: a deluxe DVD edition from the Criterion Collection.

While scouting locations in New Orleans, where "A Confederacy of Dunces"
is
set and was to be filmed, however, Mr. Green bought what he calls a
"1919
shotgun doublewide" house that, once fixed up, will become his first
adult
address. An Arkansas native, he has been living out of suitcases and
sleeping on couches since "George Washington" lifted him out of North
Carolina, where he attended the North Carolina School of the Arts in
Winston-Salem.

Besides sinking roots in New Orleans, Mr. Green also managed to edit
"Undertow" - his third feature, after "All the Real Girls" last year-
which
was shot in the summer of 2003 and was released last week by
Metro-Goldwyn-Mayer's United Artists unit on a handful of screens after
its
well-received New York Film Festival premiere.

The picture continues Mr. Green's exploration of the South, but
introduces
some new elements to his languid, lyrical style. Filmed in and around
Savannah, Ga., the film follows a teenager (played by the young British
actor Jamie Bell, from "Billy Elliott'') and his fragile younger brother
(Devon Alan) as they flee the evil uncle (Josh Lucas) who has slit the
throat of their father (Dermot Mulroney) in a dispute over a cache of
gold
coins.

"I wanted to go a little heavier in this one and show a little bit
more,"
Mr. Green said, comparing "Undertow" with "George Washington" and "All
the
Real Girls." "With the first two movies I was very much going for
something
slow and poetic. And here, I wanted to take some of that same execution
but
bloody it up a bit."

It is also the first time that Mr. Green worked from a script he did not
originate. "Undertow" came out of a program conducted by the legendary
filmmaker Terrence Malick ("Days of Heaven," "The Thin Red Line") at the
University of Texas in Austin. Mr. Malick and his partner, the veteran
producer Ed Pressman, formed a company called Sunflower Productions to
develop screenplays outside the Hollywood mainstream.

"We had a coterie of young writers out of the university, and we paid
them
a little bit of money to try screenplays," Mr. Pressman remembered. "
'Undertow' was something Terry had the idea for based on true life
events,
and he gave it to Joe Conway" - a high school English teacher who also
played on Mr. Malick's amateur basketball team. "We had seen 'George
Washington' before it was released, and so Terry showed David the draft.
We
talked about it for a long time, and then David did his own draft, and
the
film evolved from that."

"It was a script that worked within certain formulas and genre
conventions," Mr. Green recalled. "What we were going for was to make
something like an off-kilter 'Huckleberry Finn' or 'Treasure Island,' or
like the Hardy Boys books. I remember having a box full of old books
when I
was 12, the kind that have a cover illustration of kids with a lantern
looking down a cave - these awesome, odd mysteries and adventures.
That's
what I really wanted this to feel like, and so when I read the script
with
its true-crime horror I wondered how we could bring out the fanciful,
hyperreal boy's adventure in it, almost to bring out elements of fairy
tales, like 'Hansel and Gretel.' So a lot of it was to take something
based
on actual incidents and bring a fanciful frame to it."

By living and filming in the South, Mr. Green celebrates the world he
grew
up in. "I'm inspired less by specific movies and books than I am by
sitting
on a porch listening to somebody,'' he said.

"Given the choice for an evening's entertainment,'' Mr. Green said, "I
want
to go and listen to some old man I don't know, who comes from a place
I've
never heard of and has a story to tell that I don't believe. I can pay
my
10 bucks and see a movie anytime, but how often do you get that
face-to-face encounter, with those accents and exaggerations that only a
great liar can conjure? And I think this movie was my reaction to the
stories of good liars."

But how easy is it to find those eccentric, individual voices in an
America
increasingly standardized by Wal-Marts and cable television?

"It's easy in my neighborhood," Mr. Green said, returning to his New
Orleans raptures.

"In fact, it's hard to get away from them. It really is!"




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An archive of all list discussion is available at
http://www.ibiblio.org/wpercy/hypermail

Visit the Walker Percy Project at http://www.ibiblio.org/wpercy