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[NCMIA] "The Library, The Archive, The Collection: Research as Studio Practice in the Art of the Moving Image"
- From: Kirston Johnson <kirston.johnson AT duke.edu>
- To: 'NCMIA' <ncmia AT lists.ibiblio.org>
- Subject: [NCMIA] "The Library, The Archive, The Collection: Research as Studio Practice in the Art of the Moving Image"
- Date: Tue, 23 Mar 2010 14:52:44 -0400
Title: JHOVE Video Validation
Hello,
all – I
want to invite you to an event in Duke’s Rare Book Room on April 6th,
2010. I have asked Duke Distinguished Visiting Filmmaker, David Gatten, to
give a talk and present his 2004 film “The Great Art of Knowing.”
This event is very near and dear to my heart, as I’ve admired Gatten’s
work for years and it is very difficult to see his films outside major cities
around the world. He only allows his films to be shown on film, so he
will be projecting himself! Please see the press release (below) and
attached flyer for more information. Best, Kirston
… The Rare Book,
Manuscript, and Special Collections Library present: “The Library, The
Archive, The Collection: Research as Studio Practice in the Art of the Moving
Image,” a screening
and talk by Duke Distinguished Visiting Filmmaker David Gatten. Mary Duke
Biddle Rare Book Room, Perkins Library Tuesday, April
6th, 12:30 – 2:00 Award winning
avant-garde filmmaker and Guggenheim Fellow, David Gatten, will give a talk and
present his 2004 film "The Great Art of Knowing" on April 6th in
Duke's Perkins Library. Gatten is the 2010 Duke Distinguished Visiting
Filmmaker in the Program of the Arts of the Moving Image at Duke
University. His residency is funded by the Provost's Council for the Arts
Visiting Artist Residency grant. Over the last
ten years David Gatten's films have explored the intersection of the printed
word and the moving image, while investigating the shifting vocabularies of
experience and representation within intimate spaces and historical documents.
Through traditional research methods (reading old books) and non-traditional
film processes (boiling old books), the films trace the contours of both
private lives and public histories, combining elements of philosophy, biography
and poetry with experiments in cinematic forms and narrative structures. “The
Great Art of Knowing” is one film in a series by Gatten exploring the
extensive library of William Byrd II, a prominent eighteenth century Virginian
landowner and author. Taking as a point of departure the volume of the same
title by the 17th century Jesuit priest Athanasius Kircher, this film attempts
a reanimation of the lives of William Byrd and his daughter Evelyn, and
underlines the centuries-old desire to build systems of total knowledge and
complete understanding. Additional material is drawn from Byrd’s
papers, Leonardo da Vinci’s Codex on the Flight of Birds, as well as
writings by Ludwig Wittgenstein and Jules-Etienne Marey. The black and white,
silent film is approximately 40 minutes long. Gatten's films
have been included twice in the Whitney Biennial. and are screened regularly in
the world’s most prestigious film festivals, museums and galleries. His
work resides in the permanent collections of the Art Institute of Chicago and
the Whitney Museum of American Art, as well as in numerous university and
private collections. Gatten's films are included on over two dozen film history
syllabi at universities and colleges in the US, Canada and Europe. They have
won more than twenty awards at festivals around the world since 1997 and in
2005 Gatten was awarded a Guggenheim Fellowship to continue his film series
investigating the library of William Byrd. A former Associate Professor &
Chair of the Department of Cinema & Photography at Ithaca College, Gatten
has also taught the history, theory and practice of filmmaking at the School of
the Art Institute of Chicago and at The Cooper Union for the Advancement of
Science & Art in New York City. He is the recipient of two awards for Excellence
in Teaching. |
Attachment:
Gatten_Poster_smaller.JPG
Description: Gatten_Poster_smaller.JPG
- [NCMIA] "The Library, The Archive, The Collection: Research as Studio Practice in the Art of the Moving Image", Kirston Johnson, 03/23/2010
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