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ch-scene - Re: stuff to do, week of March 28, 2008

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Subject: RTP-area local music and culture

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  • From: Chris Rossi <nospam AT spacelabstudio.com>
  • To: RTP-area local music and culture <ch-scene AT lists.ibiblio.org>
  • Subject: Re: stuff to do, week of March 28, 2008
  • Date: Tue, 01 Apr 2008 09:02:03 -0400

Shame on UNC for making it to the final 4 when there are all these great shows this weekend. ;)

chris

James Hepler wrote:
Seconded!

On Mon, Mar 31, 2008 at 11:18 PM, martin hall <mdhall005 AT gmail.com> wrote:

Shame on you all for scheduling these two great shows the weekend of the
Final 4!

(hey, someone had to say it)

-5er


On Fri, Mar 28, 2008 at 6:07 PM, grady <grady AT ibiblio.org> wrote:


Saturday, April 5
Ben Davis + The Jetts (http://www.lovitt.com/artists/bendavis.html)
The Sames (http://www.thesames.com)
Schooner (http://www.schoonermusic.com)
Hammer No More the Fingers (http://www.hnmtf.com)
Wil Donegan and the Apologies
Cat's Cradle, Carrboro

This is a farewell party for Schoolkids Records, which has left East
Franklin Street after 33 years. In addition to the bands listed above,
you've got North Elementary, Michael Rank & Mark E. Smith of Snatches of
Pink, ColaSC's Heist & the Accomplice, and (apparently) more. All the
proceeds go to Orange County Elementary Music Program.

And yes, you read that correctly: The Sames are reuniting to play this
show. Glory be!



Saturday, April 5
Cantwell, Gomez, Jordan (http://www.cantwellgomezandjordan.com)
Beloved Binge (http://www.myspace.com/belovedbinge)
Eberhardt (http://www.myspace.com/eberhardtnc)
Duke Coffeehouse, Durham

This is a triple-CD release party for Eberhardt, Beloved Binge &
Cantwell, Gomez & Jordan. I've heard the latter two bands' CDs, and I
have to say that in both cases it's their best work yet. Beloved Binge
are really perfecting their weird cadences and their "we both sing
different things at the same time" thing, and fewer of the songs sound
like two dissimilar songs chopped up & Frankensteined back together.

Cantwell Gomez & Jordan are so completely in control of their sound that
there's never any doubt about who you're hearing, or about the
intentionality of what they're playing, no matter how fucked-up it gets.
Magisterial.
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